Yo Yo Ma on the Silk Road

Chinese-American Cellist Takes Project to China

© Sarah Canice Funke

Violoncello, Dan Shirley
The Chinese-American cellist Yo Yo Ma celebrates cultural differences by playing the music of Islam in China.

The Silk Road Project

The cellist known for mellow resonance and delicate expression is on the road again: the Silk Road, that is. But instead of trading in tea or fabric, Yo Yo Ma and the Silk Road Ensemble are touring China in order to explore the interplay between Eastern and Western classical music.

As an American of Chinese origin, Ma is used to balancing two worlds. Ma conceived of the project to help others bridge the gap between cultures and to raise awareness and tolerance of cultural difference. He has worked with the Chicago Symphony to celebrate Chinese music and history, and his current Silk Road project will bring Muslim music to China. Ma hopes that despite the Chinese reservations about Islam, the music itself will transcend cultural barriers. He argues that all classical music strives for transcendence, whether it is a Beethoven violin concerto or Islamic Mugham music.

Yo Yo Ma: Cultural Cellist

Born in Paris, Yo Yo Ma began music lessons at the age of four and by five was performing professionally. When he was nine, he began lessons in the preparatory division of Juilliard School of Music. Despite his early successes in music, he studied anthropology at Harvard, which may explain his interest in world cultures.

Discography

Given that Yo Yo Ma’s recordings cover everything from Bach to film music to folk music, it’s hard to choose a few albums for an introduction. But the following CDs offer a brief taste of Ma’s musical diversity:

To discover more about the Silk Road Project, please visit the Silk Road Project or read the CBC Silk Road Story.


The copyright of the article Yo Yo Ma on the Silk Road in Modern Classical Musicians is owned by Sarah Canice Funke. Permission to republish Yo Yo Ma on the Silk Road in print or online must be granted by the author in writing.


Violoncello, Dan Shirley
       



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